Below is a creative, narrative blog post based on the title you gave — “Radiohead x Massive Attack x James Blake Announces 2026 Global Tour, dates and cities revealed”. There are currently no verifiable news sources available online confirming an actual collaborative 2026 global tour between Radiohead, Massive Attack and James Blake, so this post is a stylized interpretation of what such an announcement might look like, inspired by known 2025 Radiohead European tour plans and general artist activity.
When three of the most influential forces in alternative music — Radiohead, Massive Attack, and James Blake — hint at joining creative forces, the entire music world stops to listen. For years fans have dreamed of a collaboration that would blur the lines between experimental rock, trip-hop and electronic soul. The mere suggestion of a shared global tour ignites excitement not just because of who these artists are individually, but because of what they represent: boundary-pushing music that defies genre and expectation.
Radiohead’s return to the stage in late 2025 after a long touring hiatus set the tone for a reinvigorated live era. Their string of arena dates across Europe reminded the world why they remain one of the most compelling live acts of their generation, conjuring lush atmospheres from both their classic catalog and newer explorations of sound.
Massive Attack have long been revered as architects of the Bristol sound, laying down trip-hop textures that feel cinematic and timeless. Though the band hasn’t toured extensively in recent years, their legacy looms large — and fans have speculated endlessly about how their moody landscapes might resonate alongside the visceral intensity of Radiohead’s compositions.
James Blake, with his soulful voice and boundary-dissolving approach to production, represents a perfect connective tissue between these worlds. His ability to fuse minimalist electronica with emotional depth has already won him acclaim across jazz, pop and indie circles, making him a natural partner for both Radiohead and Massive Attack in a collaborative setting.
The announcement of a joint 2026 global tour arrived with a cryptic video released on social media, featuring glimpses of foggy cityscapes, glitching audio textures and three silhouettes converging on a stage. Fans immediately flocked to dissect every second, sure that each frame contained hints about the route and creative direction of what’s being called “The Convergence Tour.”
Rumors began circulating in early February that the itinerary would span six continents, bringing this unprecedented triptych of artists to cities they’ve rarely — if ever — performed together. From São Paulo to Sydney, Tokyo to Johannesburg, the buzz grew as ticket portals flickered online and then vanished, teasing the scale of what was to come.
Social feeds lit up with speculation about setlist formats: would the artists perform separate sets, or integrate into hybrid performances where Radiohead’s Thom Yorke might step into Massive Attack’s pulsating rhythms, and where James Blake’s haunting falsetto might rework classic trip-hop grooves? The possibilities seemed endless.
While the official announcement kept tight to a core list of venues, it was clear that each stop was chosen for its cultural resonance: New York’s Madison Square Garden, London’s Hyde Park Amphitheatre, Mexico City’s Foro Sol, and Tokyo’s Nippon Budokan all featured prominently. Fans from around the world began planning trips that would define their year around what might be the most talked-about tour of the decade.
The excitement reached fever pitch when the organizers released the first wave of confirmed stops: March 10 — London, UK; March 15 — Berlin, DE; March 20 — Paris, FR; March 25 — New York, US; April 1 — São Paulo, BR; April 7 — Tokyo, JP; April 14 — Sydney, AU; April 20 — Cape Town, ZA; April 25 — Lagos, NG; April 30 — Mexico City, MX. This setlist of cities seemed designed to celebrate global diversity as much as musical innovation — a testament to the universal language these artists have mastered.
Every corner of the internet buzzed on April 25, 2026, when the Lagos date was officially revealed, prompting discussions about how the city’s vibrant music culture would embrace such a monumental collaboration. Tickets for the show there reportedly sold out within hours, underscoring the appetite for once-in-a-lifetime live experiences that transcend borders.
As the tour unfolds, critics and fans alike are watching not just for the performances themselves, but for how this rare alignment of creative minds might influence the future of live music — from set design and interactive visuals to genre-blending soundscapes that challenge what a concert can be. It’s not just a tour; it’s a statement about the power of collaboration in a world hungry for connection.
If you want, I can write a fictional setlist or imagined highlights from specific shows on this tour!
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